Maps of Music
A Thousand Suns (2010)
Where the lyrics of A Thousand Suns take you, and where it was really made.
A record about nuclear fear takes its title from a Bhagavad Gita line that J. Robert Oppenheimer later used to describe the atomic bomb.
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Primary sessions at NRG Recording Studios (2010)
Recording site NRG Recording Studios (Hollywood) — Primary recording sessions for the album were held at NRG Recording Studios in North Hollywood, Los Angeles, running from 2008 until mid 2010. Google Maps · Apple Maps
How to get there: See the map for directions.
Album story
Overview
- A Thousand Suns: fourth studio album by American rock band Linkin Park
- First released in multiple nations on September 8, 2010; in the US on September 14, 2010 by Warner Bros. Records
- Produced by Mike Shinoda and Rick Rubin, who had also produced the previous album Minutes to Midnight (2007)
- Concept album dealing with human fears such as nuclear warfare
- The band described it as a drastic departure from their previous work
- Blends human ideas with technology, according to Chester Bennington's comments to MTV
- Longest studio album by the band to date, running 47 minutes and 48 seconds
- Title refers to the Bhagavad Gita
Background
- Recording began in 2008, over a year after the release of Minutes to Midnight (2007)
- In May 2009, Shinoda said the new album would not be Hybrid Theory or Minutes to Midnight
- Bennington kept writing for the album while touring with Dead by Sunrise in support of their 2009 album Out of Ashes
- The original plan was an early 2010 release, but Shinoda was concerned with the quality of the tunes
- Shinoda later said the album was not a concept record in the strict sense, being more abstract than many concept albums
Recording
- Primary recording sessions took place at NRG Recording Studios in North Hollywood, Los Angeles, California
- Sessions ran from 2008 until mid 2010
- Compared to Minutes to Midnight, Shinoda contributed many more vocals, while Brad Delson's guitar riffs were pushed further into the background
Sources: en.wikipedia.org
Tracklist
| 1 | The Requiem | 2:01 |
| 2 | The Radiance | 0:57 |
| 3 | Burning in the Skies | 4:13 |
| 4 | Empty Spaces | 0:18 |
| 5 | When They Come for Me | 4:53 |
| 6 | Robot Boy | 4:28 |
| 7 | Jornada Del Muerto | 1:34 |
| 8 | Waiting for the End | 3:51 |
| 9 | Blackout | 4:39 |
| 10 | Wretches and Kings | 4:10 |
| 11 | Wisdom, Justice, and Love | 1:38 |
| 12 | Iridescent | 4:56 |
| 13 | Fallout | 1:23 |
| 14 | The Catalyst | 5:42 |
| 15 | The Messenger | 3:01 |
Sources: musicbrainz.org
Artist
Formation
- Linkin Park was formed in Agoura Hills, California, in 1996 by high school friends Mike Shinoda, Rob Bourdon, and Brad Delson.
- The band began as Xero, recorded a four-track demo in 1997, and changed its name to Hybrid Theory after Chester Bennington joined in 1999.
- Warner Bros. Records advised another name change, and the band chose Linkin Park.
Members
- The original lineup included vocalist Chester Bennington and drummer Rob Bourdon.
- Bennington died by suicide in July 2017, and the band went on hiatus.
- In September 2024 the reformed lineup was announced, with Emily Armstrong and Colin Brittain added to Shinoda, Delson, Joe Hahn, and Dave Farrell.
Career
- Debut album Hybrid Theory (2000) was certified Diamond by the RIAA and sold more than 4.8 million copies in its first year.
- Meteora (2003) followed, and Minutes to Midnight (2007) marked a change in sound.
- A Thousand Suns (2010), Living Things (2012), The Hunting Party (2014), and One More Light (2017) explored electronic, rock, and pop directions.
- The band has sold more than 100 million records worldwide.
- Eighth album From Zero (2024) returned to a heavier sound.
Sources: en.wikipedia.org
Reception
At release
- Metacritic: generally favorable reviews, with a weighted average of 66 out of 100 from 10 critic scores
- Rick Florino of Artistdirect: five stars out of five, saying all rock music would revolve around Linkin Park after this album
- Ian Winwood of Kerrang!: an excellent rating, calling it a political album with songs that were constructed as much as written
- Christopher Weingarten of The Village Voice: compared it to Radiohead's OK Computer and called it 2010's best avant-rock nuclear-anxiety concept record
- Dave de Sylvia of Sputnikmusic: an extremely well-crafted rock album, somewhat better than Minutes to Midnight but short of Hybrid Theory
- David Buchanan of Consequence of Sound: three and a half stars out of five
- Mikael Wood of Spin: six stars out of ten, calling The Messenger the most unexpected track
- Leah Greenblatt of Entertainment Weekly: a B rating, noting the jarring mix of industrial grind, hip-hop swagger and teenage-wasteland angst
- Jody Rosen of Rolling Stone: three stars out of five, saying the band was feeling its way toward a new identity
- Stephen Thomas Erlewine of AllMusic: a clear continuation of its predecessor, but the subdued rhythms and raps turn monochromatic
- Jim Farber of The New York Daily News: one star out of five, citing many fragments among its 15 cuts
- Johnny Firecloud of Antiquiet: condemned it as a melodramatic farce
- Fans were polarized, and the split was visible from the release of The Catalyst as a single
Reappraisal
- Blunt Magazine (2021): described it as a rap metal supernova
- Kerrang! (2021): called it a daring concept album and ranked it the band's third best behind Meteora and Hybrid Theory
Records
- Debuted at number one on the US Billboard 200 with first-week sales of 241,000 copies
- Fourth US number-one album for the band, though first-week sales were lower than Minutes to Midnight's 623,000
- Passed half a million sales in December 2010; 906,000 copies in the US by June 2014 (SoundScan)
- US gold certification on January 11, 2011
- Number one in Canada with 23,000 copies sold in the first week; Canadian platinum in February 2011
- Debuted at number two on the UK album chart with 46,711 copies; BPI gold on September 10, 2010
- Number one in Australia for four weeks; ARIA gold by the end of 2010
- RIAA platinum certification in August 2017
Sources: en.wikipedia.org
Trivia
- The album was exhibited at a 3-D laser exhibition at Music Box Theater in Hollywood on September 7, 2010.
- Warner Music Japan released a limited edition bundle with a 1/144 scale Gundam model kit, and The Catalyst became the theme song of Mobile Suit Gundam: Extreme Vs.
- Freddie Mercury's fans are not involved here; the contest winner Czeslaw NoBraiN Sakowski from Swidnica, Poland, received credit for supplemental programming on When They Come for Me.
- Blackout was featured in FIFA 11, and the song won Best Song in a Video Game at the MTV Video Game Awards.
- Shinoda's Wretches and Kings points to Public Enemy, and Chuck D later provided vocals on a remix by HavocNdeeD.
Sources: en.wikipedia.org
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