Maps of Music
¡Adios Amigos! (1995)
Where the lyrics of ¡Adios Amigos! take you, and where it was really made.
This was the Ramones' last studio album, and the band disbanded a year after its release and the tour that followed.
View on the mapKey places
Recorded at Baby Monster Studios (1995)
Recording site Baby Monster Studios — The album was recorded at Baby Monster Studios in New York City. It was the band's third album on Radioactive Records after leaving Sire. Google Maps · Apple Maps
How to get there: See the map for directions.
Album story
Overview
- ¡Adios Amigos!: fourteenth and final studio album by the American punk rock band Ramones
- Released July 18, 1995 through Radioactive Records
- Recorded at Baby Monster Studios in New York City
- The Ramones disbanded a year after the album's release and the tour that followed
Background
- Third album on Radioactive Records, made after the band left Sire over weak sales and chart results
- Relations within the band were strained: Joey Ramone's deteriorating health (Non-Hodgkin lymphoma diagnosis), a decade-long feud between Joey and Johnny Ramone, and a growing rift between Marky and C.J.
- Long-time friend Daniel Rey was recruited again to produce, liked by the whole band
Recording
- C.J. Ramone sings lead on Makin Monsters for My Friends, The Crusher, Cretin Family and Scattergun
- Dee Dee Ramone makes his first Ramones album appearance since 1989 during the bridge of the closing track Born to Die in Berlin
- Johnny Ramone said the album had perhaps the best of all the guitar sounds he ever got
Cover
- The cover is a digitally altered version of Mark Kostabi's painting Enasaurs, showing two Allosaurus in sombreros
- The back cover shows the band tied up before a firing squad
- Longtime road manager Monte Melnick sits sleeping beside the band in the artwork
Sources: en.wikipedia.org · fr.wikipedia.org · pt.wikipedia.org · es.wikipedia.org
Tracklist
| 1 | I Don’t Want to Grow Up | 2:46 |
| 2 | Makin’ Monsters for My Friends | 2:36 |
| 3 | It’s Not for Me to Know | 2:52 |
| 4 | The Crusher | 2:27 |
| 5 | Life’s a Gas | 3:34 |
| 6 | Take the Pain Away | 2:43 |
| 7 | I Love You | 2:21 |
| 8 | Cretin Family | 2:10 |
| 9 | Have a Nice Day | 1:39 |
| 10 | Scattergun | 2:30 |
| 11 | Got a Lot to Say | 1:42 |
| 12 | She Talks to Rainbows | 3:15 |
| 13 | Born to Die in Berlin | 3:32 |
Sources: musicbrainz.org
Artist
Formation
- An American punk rock band formed in Forest Hills, Queens, New York City, in 1974.
- Founding members Jeff Hyman, John Cummings, Douglas Colvin and Thomas Erdelyi took the stage names Joey, Johnny, Dee Dee and Tommy Ramone.
- The name was inspired by Paul McCartney's pseudonym Paul Ramon from his Silver Beetles days.
- The band made its CBGB debut on August 16, 1974, and became regulars at the club.
- Sire Records signed them in late 1975.
Members
- Joey Ramone (lead vocals, 1974–1996; died 2001).
- Johnny Ramone (guitar, 1974–1996; died 2004).
- Dee Dee Ramone (bass, 1974–1989; died 2002).
- Tommy Ramone (drums, 1974–1978; died 2014).
- Marky Ramone, Richie Ramone, Elvis Ramone and C. J. Ramone joined as later drummers and bassists.
Career
- The debut album Ramones was released in April 1976 and helped spearhead punk; its influence on British and American punk is widely cited.
- The band performed 2,263 concerts and released fourteen studio albums.
- Rocket to Russia (1977) was its highest-charting album, reaching number 49 on the Billboard 200.
- The band broke up after a farewell show at the Palace in Hollywood on August 6, 1996, following the Lollapalooza tour.
- Inducted into the Rock and Roll Hall of Fame in 2002 and given a Grammy Lifetime Achievement Award in 2011.
Reception
At release
- Reviews were mixed to positive, and many fans saw the album as a return to form for the band
- Entertainment Weekly: Evelyn McDonnell gave the album an A−, saying the band's blitzkrieg bop has not aged and is timelier than ever
Reappraisal
- AllMusic: Stephen Thomas Erlewine called the album an admirable way to bow out in a retrospective review
- He said it recaptured some of the inspiration of Too Tough to Die and improved on Brain Drain and Mondo Bizarro, though it drifted close to self-parody
- He concluded it was the right way to end the band, since it rocks and rolls and is not an embarrassment
Records
- The band's cover of Tom Waits' I Don't Want to Grow Up became a minor hit
- It breached the top 40 of Billboard's Modern Rock Tracks chart and peaked at No. 30
- The Ramones had long failed to break through on singles charts, so this was an unusual result
Sources: en.wikipedia.org · es.wikipedia.org
Trivia
- The American version adds a hidden track, Spiderman, which differs slightly from the version recorded for the Saturday Morning tribute album
- The Japanese version and the Captain Oi reissue add the bonus track R.A.M.O.N.E.S., originally recorded by Motörhead for their 1991 album 1916
- In his 2012 autobiography Commando, Johnny Ramone gave the album a B+ grade
- Marky Ramone loved the album for Daniel Rey's production but thought the cover was terrible
- Monte Melnick, the sleeping man beside the band in the artwork, was their longtime road manager
Sources: en.wikipedia.org · fr.wikipedia.org · es.wikipedia.org
View on the map