Maps of Music
Alice (2002)
Where the lyrics of Alice take you, and where it was really made.
Songs written for a stage opera in 1992 became a studio album ten years later, released the same day as a second album of songs from another Wilson stage work.
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Recorded and mixed at In The Pocket Studio (2002)
Recording site In The Pocket Studio — Alice was recorded and mixed at In The Pocket Studio in Forestville, California, according to the release notes. The studio is the recording place credited for the album. Google Maps · Apple Maps
How to get there: See the map for directions.
Album story
Overview
- Alice is the fourteenth studio album by Tom Waits, released in 2002 on Epitaph Records under the Anti- sub-label
- The songs were written by Waits and Kathleen Brennan for the opera Alice about ten years before release
- Co-released the same time as Blood Money, which holds songs Waits wrote for Robert Wilson's Woyzeck
- Credited producers are Kathleen Brennan and Tom Waits
- Ballads, torch songs and waltzes make up the record
Background
- Most of the songs written for the opera are gathered here
- The opera was directed by Robert Wilson at the Thalia Theatre in Hamburg in 1992
- The story concerns Lewis Carroll's obsession with Alice Liddell
- Waits and Wilson had worked together earlier on The Black Rider
- Waits's interest in circus performers shapes the songs
- Poor Edward is about Edward Mordake, and Table Top Joe is about Johnny Eck
- Waits described the album as adult songs for children, or children's songs for adults
Recording
- Recorded and mixed at In The Pocket Studio in Forestville, California
- Mastered at The Mastering Lab in Hollywood, California
- The Stroh violin, a violin with a horn attached to the bridge, is used on several tracks
- Eclectic orchestration, a trait of Waits's albums since Swordfishtrombones
Sources: en.wikipedia.org · www.discogs.com
Tracklist
| 1 | Alice | 4:29 |
| 2 | Everything You Can Think | 3:10 |
| 3 | Flower’s Grave | 3:29 |
| 4 | No One Knows I’m Gone | 1:42 |
| 5 | Kommienezuspadt | 3:11 |
| 6 | Poor Edward | 3:43 |
| 7 | Table Top Joe | 4:14 |
| 8 | Lost in the Harbour | 3:45 |
| 9 | We’re All Mad Here | 2:32 |
| 10 | Watch Her Disappear | 2:34 |
| 11 | Reeperbahn | 4:03 |
| 12 | I’m Still Here | 1:49 |
| 13 | Fish & Bird | 4:00 |
| 14 | Barcarolle | 4:00 |
| 15 | Fawn | 1:44 |
Sources: musicbrainz.org
Artist
Career
- Tom Waits, born Thomas Alan Waits on 7 December 1949 in Pomona, California, is an American singer-songwriter, musician, music director and actor.
- Known for his gravelly voice, cynical texts and theatrical stage presence, he blends blues, jazz, bluegrass, vaudeville and country with rock.
- His lyrics portray the bizarre and overlooked people and places, while his work also shows romanticism and humour.
- Debuted in Los Angeles in 1971 after signing with manager Herb Cohen; the album Closing Time (1973) received good reviews, and the Eagles' cover of Ol' 55 brought success in 1974.
- Mid-1980s albums Swordfishtrombones, Rain Dogs and Frank's Wild Years featured eclectic instrumentation, marking a less conventional period after leaving Asylum for Island Records.
- Worked with his wife Kathleen Brennan on musicals such as The Black Rider with William S. Burroughs, and moved toward theatre alongside a parallel acting career.
- Acted in films by Francis Ford Coppola, Jim Jarmusch, Robert Altman and Terry Gilliam; composed the score for Coppola's Coup de cœur.
- Won Grammy Awards for Bone Machine (1993) and Mule Variations (2000); inducted into the Rock and Roll Hall of Fame in 2011.
- Has consistently refused to license his music for advertising and won lawsuits against several companies that ignored this.
Sources: fr.wikipedia.org
Reception
At release
- Maddy Costa writes that Alice and Blood Money highlight the consistency of Waits's songwriting
- Costa notes that Kathleen Brennan, co-writer of every song, shares Waits's vision
- Costa says Waits has kept a distinct musical voice since the experiments that began with Swordfishtrombones in 1983
- Costa says the ballads on Alice seem haunted by the ghosts of earlier albums
- Costa says Waits and Brennan share with Lewis Carroll a delight in linguistic playfulness and warped juxtapositions
- Alice ranked number 2 in Metacritic's Top 30 albums of 2002
Records
- As of 2003, Alice had sold 140,000 copies in the U.S., according to Nielsen Soundscan
- In 2006, it received a diamond certification from the Independent Music Companies Association
- The diamond certification indicated sales of at least 250,000 copies throughout Europe
Sources: en.wikipedia.org · es.wikipedia.org
Trivia
- The songs had been released as a bootleg in several versions called The Alice Demos many years before the official album.
- The bootleg source is believed to be studio recordings taken when Waits's car was broken into in late 1992.
- Altar Boy appears in Wilson's Alice but not on this album; it was later released on Orphans: Brawlers, Bawlers & Bastards in 2006.
- Waits bought the bootleg to recall the songs, because a long gap had passed since writing them for the stage version.
- The album was released alongside Blood Money in the same year.
Sources: en.wikipedia.org · ja.wikipedia.org
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