Maps of Music
Doolittle (1989)
Where the lyrics of Doolittle take you, and where it was really made.
The album started as Whore, a title dropped when the cover turned to a monkey with a halo.
View on the mapKey places
Where the sessions began (1988)
Recording site Downtown Recorders — Recording sessions for Doolittle began here on 31 October 1988. The studio was a 24-track facility at the time. Google Maps · Apple Maps
How to get there: See the map for directions.
Mixing in Stamford (1988)
Recording site The Carriage House — Mixing sessions for the album began here on 28 November 1988, two weeks after principal recording ended. The studio is a residential studio in Stamford, Connecticut. Google Maps · Apple Maps
How to get there: See the map for directions.
Album story
Overview
- Doolittle: second studio album by the American alternative rock band Pixies
- Released 17 April 1989 on 4AD in the UK; Elektra handled US distribution
- Became the band's breakthrough album
- Black Francis, the main songwriter and lead vocalist, wrote the lyrics
- Lyrics allude to surrealist imagery, biblical violence, torture and death
- Praised for its quiet/loud dynamic, built on Kim Deal's bass and David Lovering's drums
Background
- Surfer Rosa (1988) was better received in the UK than in the US
- Before the album, the band toured Europe with Throwing Muses
- First demos recorded in one week in 1988 at Eden Sound, Boston, during a break from touring
- Francis gave the album the provisional title Whore
- Manager Ken Goes suggested producers Gil Norton and Ed Stasium
- Ivo Watts-Russell, head of 4AD, chose Norton to produce
Recording
- Sessions began 31 October 1988 at Downtown Recorders in Boston, a 24-track studio
- Budget of $40,000 excluding producer fees, four times the amount spent on Surfer Rosa
- Principal recording completed 23 November 1988
- Mixing began 28 November at Carriage House Studios in Stamford, Connecticut
- Mixing engineer Steve Haigler
- Tension between Francis and Kim Deal marked the sessions
- Mixing completed 12 December 1988
Cover
- Photography by Simon Larbalestier; design by Vaughan Oliver
- Cover shows a monkey with a halo, with the numbers 5, 6 and 7, tied to the lyrics of Monkey Gone to Heaven
Sources: en.wikipedia.org
Tracklist
| 1 | Debaser | 2:52 |
| 2 | Tame | 1:55 |
| 3 | Wave of Mutilation | 2:04 |
| 4 | I Bleed | 2:34 |
| 5 | Here Comes Your Man | 3:21 |
| 6 | Dead | 2:21 |
| 7 | Monkey Gone to Heaven | 2:57 |
| 8 | Mr. Grieves | 2:05 |
| 9 | Crackity Jones | 1:24 |
| 10 | La La Love You | 2:43 |
| 11 | Number 13 Baby | 3:51 |
| 12 | There Goes My Gun | 1:49 |
| 13 | Hey | 3:31 |
| 14 | Silver | 2:25 |
| 15 | Gouge Away | 2:45 |
Sources: musicbrainz.org
Artist
Formation
- Formed in Boston, Massachusetts, in 1986.
- Original lineup: Black Francis (vocals, rhythm guitar), Joey Santiago (lead guitar), Kim Deal (bass, vocals), David Lovering (drums).
- Named after a word Santiago picked randomly from a dictionary.
Members
- Francis is the primary songwriter; his surreal lyrics cover extraterrestrials, incest and biblical violence.
- Deal left in 2012; Kim Shattuck and then Paz Lenchantin followed; Lenchantin became a full member in 2016.
- In 2024 Lenchantin was replaced by Emma Richardson, formerly of Band of Skulls.
Career
- Debut mini-LP Come On Pilgrim (1987), followed by Surfer Rosa (1988), Doolittle (1989), Bossanova (1990) and Trompe le Monde (1991).
- Disbanded in 1993 after modest US success, but gained more popularity in the UK and Europe.
- Reunited in 2004 with sold-out world tours; released The Night the Zombies Came in 2024.
- Known for extreme loud-quiet-loud dynamics blending surf rock and punk rock; influenced Nirvana, Radiohead, Weezer and others.
Sources: en.wikipedia.org
Reception
At release
- NME's Edwin Pouncey wrote that the album's songs have the power to make listeners jump out of their skin with excitement
- Q's Peter Kane wrote that its carefully structured noise and rhythmic insistence make perfect sense
- Robert Christgau in The Village Voice gave it a B+
- Sounds and Melody Maker named Doolittle their album of the year
- Rolling Stone and The Village Voice placed it tenth on their year-end lists
- NME ranked it fourth on its year-end list
- Some reviews were mixed; Time Out said Gil Norton's production turned a crisis into drama
Reappraisal
- Rolling Stone's 2002 review gave it five stars and said it laid the groundwork for Nineties rock
- PopMatters included it in its list of 12 essential 1980s alternative rock albums
- Pitchfork ranked it the fourth-best album of the 1980s in a 2017 survey
- A 2003 poll of NME writers ranked it the second-greatest album of all time
- Rolling Stone placed it at number 141 on its 2020 list of the 500 greatest albums
Records
- Reached number eight on the UK Albums Chart in its release week
- Entered the US Billboard 200 at number 171 and later peaked at number 98, spending two weeks in the Top 100
- Sold steadily in the US and passed 100,000 copies after six months
- Certified gold by the RIAA in 1995 and platinum in 2018
- Single Here Comes Your Man reached number three on the US Modern Rock Tracks chart and number 54 in the UK Singles Chart
- Best estimates put total US sales at between 800,000 and 1,000,000 by the end of 2005
Sources: en.wikipedia.org
Trivia
- Francis dropped the working title Whore around the time the cover art was decided, worried that the title would bring rumours about the band.
- Shortly after release, Francis was pulled over by US Border Patrol near the Mexican border; an officer recognized him from MTV.
- Silver, co-written with Kim Deal, is often considered the weakest song on the album.
- Joey Santiago covered his Marshall amplifiers with blankets in protest at Norton adding too much reverb to his guitar parts.
- The title comes from a lyric in Mr. Grieves.
- David Lovering sang La La Love You, his only vocal performance on a Pixies track; he said he was so nervous he drank a lot of vodka.
Sources: en.wikipedia.org
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