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Miles & Quincy: Live at Montreux (1993)
Where the lyrics of Miles & Quincy: Live at Montreux take you, and where it was really made.
Davis made this record months before his death, playing older music he had never revisited before.
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Recorded at the Montreux Jazz Festival, 8 July 1991 (1991)
Recording site Mountain Studios — Discogs records the recording on 8 July 1991 at the Montreux (Swiss) Jazz Festival. The point marks the Montreux venue, but the exact building is not confirmed by the source. Google Maps · Apple Maps
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Album story
Overview
- Miles & Quincy: Live at Montreux is a collaborative live album by trumpeter Miles Davis and conductor Quincy Jones
- Recorded at the 1991 Montreux Jazz Festival, on 8 July 1991
- Released in 1993 by Warner Bros. Records
- Davis was seriously ill during the concert; it was the final album he recorded before his death three months later
- A live document of a festival set that revisited Davis's older music
Background
- Davis had never revisited past music from his career before this concert
- Quincy Jones persuaded him to play his older music after a meeting with a psychic at Jones's home in New York
- The psychic's dice fell into Davis's lap, and the pair read this as a sign that he should play his older music
- The concert was also a tribute to Gil Evans, who had died a few years before
- Jones used two orchestras and conducted both the Gil Evans Orchestra and the George Gruntz Concert Jazz Band
- Guest players included Benny Bailey, Wallace Roney, Grady Tate, Carles Benavent and Kenny Garrett
Recording
- Recorded on 8 July 1991 at the Montreux Jazz Festival
- Live sound recording credited to David Richards and Justin Shirley-Smith
- Audio coordinating credited to Ron Lorman; mixing credited to Mick Guzauski
- Mixed at Capitol Studios; mastered at Bernie Grundman Mastering
- Discogs lists Mountain Studios among the recording companies
Cover
- Photography credited to Annie Leibovitz and Philippe Dutoit
- Art direction credited to Jeff Gold and Jeri Heiden
Sources: en.wikipedia.org · www.discogs.com
Tracklist
| 1 | Introduction by Claude Nobs and Quincy Jones | 1:23 |
| 2 | Boplicity | 3:40 |
| 3 | Introduction to Miles Ahead Medley | 0:09 |
| 4 | Springsville | 3:34 |
| 5 | Maids of Cadiz | 3:37 |
| 6 | The Duke | 4:01 |
| 7 | My Ship | 4:11 |
| 8 | Miles Ahead | 3:39 |
| 9 | Blues for Pablo | 6:06 |
| 10 | Introduction to Porgy and Bess Medley | 0:28 |
| 11 | Orgone | 4:09 |
| 12 | Gone, Gone, Gone | 1:48 |
| 13 | Summertime | 2:54 |
| 14 | Here Come de Honey Man | 3:41 |
| 15 | The Pan Piper | 1:40 |
| 16 | Solea | 11:44 |
Sources: musicbrainz.org
Artist
Career
- Born March 14, 1933 in Chicago; died November 3, 2024 in Los Angeles at age 91.
- American record producer, musician and composer; a career spanning seven decades.
- Received 28 Grammy Awards, a Primetime Emmy Award and a Tony Award; seven Academy Award nominations.
- Began as a jazz arranger and conductor in the 1950s, touring with Lionel Hampton and Dizzy Gillespie.
- Produced all four million-selling singles for Lesley Gore in the early-to-mid 1960s, including "It's My Party".
- Arranged and conducted for Frank Sinatra, Ella Fitzgerald, Sarah Vaughan and others.
- Scored The Pawnbroker, In the Heat of the Night, The Italian Job and The Color Purple.
- Produced Michael Jackson's Off the Wall, Thriller and Bad.
- Produced and conducted "We Are the World" (1985) to raise famine relief for Ethiopia.
- Founded Qwest Productions and later Qwest TV, a jazz subscription video service.
Sources: en.wikipedia.org
Reception
At release
- Entertainment Weekly critic David Hajdu gave the album an A, calling it the most exquisite music of tragedy this side of a New Orleans funeral
- Q magazine found the sound thin, but funky and strong
- Vibe critic Greg Tate found Davis's playing occasionally sketchy and felt the recreations did not match Gil Evans's original arrangements
Reappraisal
- AllMusic's Ron Wynn wrote that not every moment is golden, but the session ranks a bit below the majestic 1950s and 1960s Davis and Evans dates
- The Penguin Guide to Jazz (Richard Cook and Brian Morton) said the exaggerated arrangements are redeemed by the audience's reception and Davis's musical ideas
- German critics mostly see the album more differentiated, and mostly agree with Ron Wynn that the performance does not always reach Gil Evans's arrangements
- Hans Sterner rejects the album completely, saying the arrangements were diluted to the level of mainstream pop
Records
- Charted at number one on the Billboard Top Jazz Albums
- Won Davis his eighth competitive Grammy Award, for Best Large Jazz Ensemble Performance
- French and German sources date the Grammy to 1994
Sources: en.wikipedia.org · de.wikipedia.org · fr.wikipedia.org
Trivia
- Davis was in poor health during the concert, and this record became his final album before he died three months later.
- The album was recorded in 1991 but released in 1993, after Davis's death in September 1991.
- The set uses a 1949 studio recording of Boplicity as a long-standing reference point for Davis's older music.
- Discogs notes the recording as made on 8 July 1991 at the Montreux (Swiss) Jazz Festival.
- Credits list mastering at Bernie Grundman Mastering and mixing at Capitol Studios.
Sources: en.wikipedia.org · de.wikipedia.org · fr.wikipedia.org · www.discogs.com
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