Maps of Music
Wrecking Ball (1995)
Where the lyrics of Wrecking Ball take you, and where it was really made.
Neil Young wrote the title song, yet this album marked a departure from Emmylou Harris's traditional acoustic sound.
View on the mapKey places
Recording at Kingsway, New Orleans (1995)
Recording site Mobile studio, 1305 Soniat Street — The album page lists Kingsway in New Orleans among the recording locations. The point uses the city centre position and does not fix the building. Google Maps · Apple Maps
How to get there: See the map for directions.
Recording at Woodland, Nashville (1995)
Recording site Nashville — The album page lists Woodland in Nashville among the recording locations. The point uses the city centre position and does not fix the building. Google Maps · Apple Maps
How to get there: See the map for directions.
Recording at Natoma, San Francisco (1995)
Recording site Soapbox West — The album page lists Natoma in San Francisco among the recording locations. The point uses the city centre position and does not fix the building. Google Maps · Apple Maps
How to get there: See the map for directions.
Album story
Overview
- Wrecking Ball: eighteenth studio album by American country artist Emmylou Harris
- Released 26 September 1995 through Elektra Records
- Made with producer Daniel Lanois and engineer Mark Howard
- Moves away from Harris' traditional acoustic sound toward an atmospheric feel
- Guests: Steve Earle, Larry Mullen Jr., Kate & Anna McGarrigle, Lucinda Williams and Neil Young
- Neil Young wrote the title song, which Harris covered with harmonies by Young
Background
- Harris' song choices had always been eclectic, yet the album was regarded as a departure
- Harris was 48 and had become something of an elder stateswoman in country music
- Described as a career-redefining album, compared to Marianne Faithfull's 1979 Broken English and Johnny Cash's American Recordings
- Pointed Harris' career in a somewhat different direction, where she would incorporate a harder edge
Recording
- Harris worked with producer Daniel Lanois and engineer Mark Howard
- Discogs credits Mark Howard as engineer in San Francisco
- Sandy Jenkins credited as secondary engineer at Woodland Studios
- Malcolm Burn credited with recording, mixing, arranging and playing piano
- Trina Shoemaker credited for engineering and mastering
- Larry Mullen Jr. played drums on several tracks
Sources: en.wikipedia.org · es.wikipedia.org · pt.wikipedia.org · www.discogs.com
Tracklist
| 1 | Where Will I Be | 4:15 |
| 2 | Goodbye | 4:53 |
| 3 | All My Tears (Be Washed Away) | 3:42 |
| 4 | Wrecking Ball | 4:49 |
| 5 | Goin’ Back to Harlan | 4:53 |
| 6 | Deeper Well | 4:17 |
| 7 | Every Grain of Sand | 3:56 |
| 8 | Sweet Old World | 5:06 |
| 9 | May This Be Love | 4:45 |
| 10 | Orphan Girl | 3:15 |
| 11 | Blackhawk | 4:28 |
| 12 | Waltz Across Texas Tonight | 4:46 |
Sources: musicbrainz.org
Artist
Career
- Born April 2, 1947 in Birmingham, Alabama; American singer, songwriter, musician, bandleader and activist.
- Regarded as a leading artist of the country rock genre in the 1970s and of Americana in the 1990s.
- Began in the Greenwich Village folk scene in the late 1960s; first album Gliding Bird (1970) under the name "Emmy Lou Harris".
- Discovered by Gram Parsons in 1971; sang harmony on his GP (1973) and worked with him on Grievous Angel before his death in 1973.
- Breakthrough with Pieces of the Sky (1975); five US country number-one singles by 1980.
- Trio (1987) with Dolly Parton and Linda Ronstadt became her best-selling album; At the Ryman (1992) renewed interest in the Ryman Auditorium.
- Wrecking Ball (1995), produced by Daniel Lanois, is seen as a turning point toward Americana.
- Estimated over 15 million records sold; 13 Grammy Awards; inducted into the Country Music Hall of Fame in 2008.
- Founded the dog rescue Bonaparte's Retreat in Nashville; organizes the Concerts for a Landmine-Free World benefit tour since 1999.
Reception
At release
- Album received nearly universal acclaim
- Made many critics' year-end 'best of' lists
- Pointed Harris' career in a direction where she would incorporate a harder edge
- Treated as a departure from her eclectic but largely traditional-leaning song choices
- Harris was 48, already something of an elder stateswoman in country music
Reappraisal
- Described as a career-redefining album
- Compared to Marianne Faithfull's 1979 Broken English and Johnny Cash's American Recordings
- The album has been noted for its atmospheric feel
- One reviewer did not consider the title track the high point on the album
- Neil Young wrote the title song; guests include Steve Earle, Larry Mullen Jr., Kate & Anna McGarrigle and Lucinda Williams
Records
- Won the 1996 Grammy Award for Best Contemporary Folk Recording
- Released 26 September 1995 by Elektra Records
Sources: en.wikipedia.org · es.wikipedia.org
Trivia
- Harris released the title song as a 2-track CD single paired with Lucinda Williams' 'Sweet Old World'
- One reviewer did not consider the title track the high point on the album
- Harris covered Neil Young's 'Wrecking Ball' with harmonies from Young
Sources: en.wikipedia.org
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