Maps of Music
Los Ángeles (2017)
Where the lyrics of Los Ángeles take you, and where it was really made.
A flamenco debut that topped several Spanish year-end lists in 2017 drew sharp objections from flamenco specialists, who called its arrangements "artificial" and "wearisome".
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Recording place in Barcelona (2017)
Recording site Olympic Stadium (Barcelona) — The source lists Estudios Calamar in Barcelona as the recording place of this album. The pin sits at the city centre, not on the studio building. Google Maps · Apple Maps
How to get there: See the map for directions.
Album story
Overview
- Los Ángeles: debut studio album by Spanish singer Rosalía
- Spanish for 'the angels'
- Collaborative cover album with Raül Refree, credited as co-author, artist, producer, guitarist and arranger
- Released 10 February 2017 by Universal Music Group in Spain
- Concept album collecting cantes whose central theme is death
- Structure follows the debut of an orthodox flamenco singer: a selection of varied palos
Background
- Rosalía performed in tablaos for a decade before her recording debut
- Worked as guest artist and supporting act for Chicuelo, Enric Palomar, La Fura dels Baus, Miguel Poveda and Rocío Márquez
- Performed in Germany, Singapore and Panama; events included Primavera Sound 2015 and an APAP conference in New York City
- Grew up in a family with no artistic background that mostly listened to music in English
- Studied Interpretation of Flamenco Singing at ESMUC, which accepts one student of this discipline per year; selected in 2014
- Her teacher for the following eight years was José Miguel Vizcaya, known as El Chiqui de la Línea
Recording
- Recording location listed as Estudios Calamar in Barcelona
- Raül Refree credited for guitar and arrangement; Rosalía for vocals
- Mastering by Alex Psaroudakis
Cover
- Set design by Folch and Cristina Ramos; photography by Txema Yeste
Sources: en.wikipedia.org
Tracklist
| 1 | Si tú supieras compañero | 6:05 |
| 2 | De plata | 4:29 |
| 3 | Nos quedamos solitos | 5:15 |
| 4 | Catalina | 3:34 |
| 5 | Día 14 de abril | 6:06 |
| 6 | Que se muere que se muere | 1:29 |
| 7 | Por mi puerta no lo pasen | 4:40 |
| 8 | Te venero | 4:06 |
| 9 | Por castigarme tan fuerte | 2:08 |
| 10 | La hija de Juan Simón | 4:09 |
| 11 | El redentor | 3:01 |
| 12 | I See a Darkness | 4:09 |
Sources: musicbrainz.org
Artist
Early life and career
- Rosalía Vila Tobella, born 25 September 1992 in Sant Cugat del Vallès, Catalonia, Spain.
- Studied musicology at the Catalonia College of Music, graduating in 2017.
- Early interest in flamenco, especially after discovering Camarón de la Isla.
Debut and El mal querer
- Debut album Los Ángeles (2017) made with Raül Refree.
- Second album El mal querer (2018) mixed flamenco with pop and urban music; won a Latin Grammy for Album of the Year.
- Ranked 315th on Rolling Stone's 500 Greatest Albums of All Time.
International career
- Motomami (2022) embraced reggaeton; best reviewed album of 2022 on Metacritic.
- Lux (2025) fused art pop and classical elements; praised by critics.
- Thirteen number-one singles in Spain, the most for a local female artist.
- Two Grammy Awards, eleven Latin Grammy Awards, and a BRIT Award.
Sources: en.wikipedia.org
Reception
At release
- Rockdelux called it "one of the most intense and sweeping debuts of recent times"
- Rockdelux critic Juan Monge complimented its mix of tradition and avant-garde
- AllMusic's Mariano Prunes highly commended Rosalía's vocals, writing that her voice reached almost unbearable levels of intensity and expression
- Prunes concluded the album signals the appearance of a major talent in both the flamenco and the world music scene
- Writing for MondoSonoro, Yeray S. Iborra felt that with Los Ángeles, Rosalía is posited as the contemporary cantaora who has better understood the current times
- Pitchfork called it an intimate understanding of the flamenco canon through an aesthetic closer to minimalist indie rock
Reappraisal
- Musician and investigator Pedro Lópeh criticized the album in El Confidencial, especially Refree's arrangements, calling them artificial and wearisome
- Flamenco specialist Silvia Cruz agreed, calling it a decontextualized product that does not evoke the history or roots of flamenco
- ABC's Alberto García Reyes said Rosalía does not fit much in flamenco, though he did not consider the album an aberration
Records
- Debuted at number 42 on the Spanish Albums Chart on 19 February 2017
- Rose to number 28 in its third week and held that position the following week
- Peak position of number 9 on 11 November 2018
- Stayed on the albums chart until 9 February 2020, a total of 116 weeks
- Named the best Spanish album of 2017 by ABC and Rockdelux
- Readers of the Barcelona edition of Time Out chose it as the best album of 2017
- Won the Premio Ruido on 17 January 2018 as the best national album of the year
Sources: en.wikipedia.org
Trivia
- The lead single Catalina was released on 17 October 2016 and presented by Rosalía on Radio 3, after its B side "Que se muere, que se muere" had been shared online a few weeks earlier.
- Rosalía discovered flamenco at thirteen when her friends played Camarón de la Isla while meeting in a park after school.
- The music video for "De plata" was shot by Manson on 16 mm film.
- A cover of Enrique Morente's "Aunque es de noche" was released as a single on 2 November 2017, though it was not included in the album and had only been performed live.
- Rosalía felt that in the album the cantes become songs, so the track listing does not name the palos.
- The track "I See a Darkness" is a cover of a Bonnie "Prince" Billy track.
Sources: en.wikipedia.org
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