Maps of Music
The Heart of Saturday Night (1974)
Where the lyrics of The Heart of Saturday Night take you, and where it was really made.
The cover is based on Frank Sinatra's In the Wee Small Hours, and the title song was written as a tribute to Jack Kerouac.
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Where the album was recorded (1974)
Recording site Hollywood Sound — The album was recorded at Wally Heider Recorders in Hollywood, according to the Discogs release notes. The source gives no recording dates, so this point carries no date. Google Maps · Apple Maps
How to get there: See the map for directions.
Album story
Overview
- The Heart of Saturday Night is the second studio album by singer and songwriter Tom Waits
- Released October 15, 1974 on Asylum Records
- The title song was written as a tribute to Jack Kerouac
- The cover is based on Frank Sinatra's In the Wee Small Hours
- The cover illustration shows a tired Tom Waits leaving a neon-lit cocktail lounge late at night, watched by a blonde woman
Background
- The album marks the start of a decade-long collaboration between Waits and producer Bones Howe
- Howe produced and engineered all of Waits' recordings until Waits left Asylum
- Waits was dissatisfied with the sound of his debut album, Closing Time, and wanted a sound with stronger jazz color
- For that reason he chose Howe as producer
- Experienced jazz musicians took part in the recording, including Mike Melvoin and Tom Scott
Recording
- The album was recorded at Wally Heider Recorders in Hollywood
- Bones Howe is credited as producer and engineer, with Geoff Howe also credited as engineer
Cover
- Cal Schenkel was the art director
- The cover art was created by Lynn Lascaro
Sources: en.wikipedia.org · fr.wikipedia.org · www.discogs.com · ja.wikipedia.org
Tracklist
| 1 | New Coat of Paint | 3:24 |
| 2 | San Diego Serenade | 3:30 |
| 3 | Semi Suite | 3:29 |
| 4 | Shiver Me Timbers | 4:27 |
| 5 | Diamonds on My Windshield | 3:12 |
| 6 | (Looking for) The Heart of Saturday Night | 3:53 |
| 7 | Fumblin’ With the Blues | 3:03 |
| 8 | Please Call Me, Baby | 4:26 |
| 9 | Depot, Depot | 3:47 |
| 10 | Drunk on the Moon | 5:07 |
| 11 | The Ghosts of Saturday Night (After Hours at Napoleone’s Pizza House) | 3:17 |
Sources: musicbrainz.org
Artist
Career
- Tom Waits, born Thomas Alan Waits on 7 December 1949 in Pomona, California, is an American singer-songwriter, musician, music director and actor.
- Known for his gravelly voice, cynical texts and theatrical stage presence, he blends blues, jazz, bluegrass, vaudeville and country with rock.
- His lyrics portray the bizarre and overlooked people and places, while his work also shows romanticism and humour.
- Debuted in Los Angeles in 1971 after signing with manager Herb Cohen; the album Closing Time (1973) received good reviews, and the Eagles' cover of Ol' 55 brought success in 1974.
- Mid-1980s albums Swordfishtrombones, Rain Dogs and Frank's Wild Years featured eclectic instrumentation, marking a less conventional period after leaving Asylum for Island Records.
- Worked with his wife Kathleen Brennan on musicals such as The Black Rider with William S. Burroughs, and moved toward theatre alongside a parallel acting career.
- Acted in films by Francis Ford Coppola, Jim Jarmusch, Robert Altman and Terry Gilliam; composed the score for Coppola's Coup de cœur.
- Won Grammy Awards for Bone Machine (1993) and Mule Variations (2000); inducted into the Rock and Roll Hall of Fame in 2011.
- Has consistently refused to license his music for advertising and won lawsuits against several companies that ignored this.
Sources: fr.wikipedia.org
Reception
At release
- In a contemporary review for The Village Voice, Janet Maslin regarded the songs as tawdry affectations of a boozy vertigo
- Maslin found the album too self-consciously limited in mood
- Maslin wrote that the album is meant to be heard after hours, when the gloom has settled in and the wine is close at hand
- Robert Christgau, a fellow Village Voice critic, was also critical of Waits' compositions
- Christgau found the mournful melodies merging into neo imagery, with few songs strong enough to cover
Reappraisal
- A Japanese reference notes the album did not succeed in sales
- The same reference says many people now regard it as one of Waits' early representative works
- In a retrospective review for the Los Angeles Times, Buddy Seigal was more impressed by the songs' sentimentality
- Seigal called the album perhaps the singer's most mature, ingenuous and fully realized record
Records
- Ranked number 339 on Rolling Stone's list of the 500 greatest albums of all time, in 2003
- That placement is Waits' highest on the list
- The album did not succeed commercially on release
Sources: en.wikipedia.org · fr.wikipedia.org · ja.wikipedia.org
Trivia
- The title song was written as a tribute to Jack Kerouac, and the French reference describes it as a homage to the writer's world
- The cover is based on Sinatra's In the Wee Small Hours, and the illustration shows Waits leaving a cocktail lounge
- The ghost-themed track's subtitle names Napoleone's Pizza House, a shop where Waits once worked
Sources: en.wikipedia.org · ja.wikipedia.org
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